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TRACY SUZANNE PICKETT; Born: United State of American, in a small city called Liverpool, in Upper Western New York State. As a child I was creative and within the best of American schools prolific at deign, literature, poetry, and gymnastics, and theater also loving natural sciences. At the early age of 11, I caste my first hand made sculpture in sand casing, as well as designed industrial interior designs, and hand made them in my industrial design shop class alone before I turned 11 years old. I had help from Mr Hacket with the metal casting sculpture, casting only, While I was proficient in sculpture then. In the NEW YORK elementary school, I naturally took part in industrial revolutionary line work within classes that were exciting and invigorating at any age as we learned about the INDUSTRIAL REVOLUTION. As early as 6 years old, my school involvements were in theater and music with some travels to bring theater from my school to other places, with music to many local groups and organizations. By age nine, I was featured on the front page of the local new paper in my photographed appearance in a song duet on stage where I won the hearts of the local community as I began to create Sketched moving 8 mm film movie cartoons then at nine years old. At the age of eleven, My poetry writing was known throughout the school, as well as my gymnastics making the A team, in excellence in uneven bars and balance beam, with a deformed right arm and stunted growth on my right hand with no fingers, nothing stopped my flow of energy and swift smoothness in athletic creative ways I have been proud of. My left hand fingers collapse in most cases in prolonged general work many years later in 1997 and again 1999 into my mid and late 30's. Not before as at 11 of course it was 1976. Today I have no way to make a living within the general work place without over exertion that will damage my nerves over and over again.

It was 1996 , 14 years in a tiny desk at home creating hand font menu's and a few sculptures, while creating a large wonderful career as a director of a ristorante was wonderful. I purchased a house with rental income at age 21, and I bought two cars. Keeping my home nearly ten years, I sold right before looking for a college I would love going to. And did. It was one of my largest dreams come true. And I loved the work involved.

Yes, Snow Bird was a series of three photographs that I made art to photograph on New Years Day. I was in Soho and probably for good I thought after leaving an 8 year relationship that I broke the engagement three times. I was sitting out side eating pizza with Liza Manelli, from the pizza shop on Green Street when Martin Scorsese' strangely kept looking at me. He was probably just waiting for pizza too, it was 2011 into 2012 New Years. 2012 turned out to be okay. Yet Not the Year I hoped it would. The Art I photographed for the New Years event was quite complex titled Snow Bird.

2009 VITEA TRACEE SUZANNE PICKETT

COUTURE LOST LONDON FOUND is the name othe the photograph in couture of a collection of works in artistry that took four years to fully design and is not for everyone. While today the designs are lost and perhaps will not be recovered the photography in part of the work remain at the forefront of any greater visual work in the arts. The original reality of these works of art was to have them represented by more than simple ideas of couture yet, couture that is a high artistry of fortitude in elevation of importance towards peace. The beads are from all over the world in the peace 21 couture collections and represent much more than just an object and much more than just a bead. Yet the peace 21 couture collections represents those that are devoted towards that of excellence in the craft of what is the art.

License No. 100 000 Photograph: Couture Lost

BLUE Blue is a very lovely photograph of the art in plain blue glass that is often over looked in the array of less expensive glass yet in the sales of the blue glass beads within a well honed craft builds an industry of worth in revenue for many people. The Blue ear rings I created here were lost due to hackers in my web site. I wanted to speak to Bill Gates about the upset I was having and attempt to somehow globally stop hackers and in fact held a peace ethics exhibition from NYC that I continued with for 4 years to prevent hackers in my business. Today BLUE is going up for sale at $1.25 million.

License No. 200 000 Photograph: Blue Ear Rings

License No. 130 000 Photograph: Emerald Jeweled Blousen

The Emerald Blouse Couture from my numerous peace 21 sketched expanded in my sketchbooks I had time for in 2008, as work in sketch time between other projects busy as usual, with couture clotheries I began creating very early in age, as early as 1973 making paper clothes for paper dolls I cut as a child project. 1977 in mrs. gleesons sewing class too, when I began making hand sewn clotheires at home with a needle and thread and a great many hours in fabric stores buying what I could like well and afford, of later expand of my very own work, are an art in high formation that are very special to me even as a child making cheese clothe dalls and settings for fine jeweled stones in fancy silk string like a spider web yet more beautiful of my own origination. Occasionally as a gift that later I work on in a multitude of broadening even just a note to remind me of a planned year to prepare. Sometimes 400 veriations even from a small sea shell sketch or many other origination of my divinity of inventive concepts. What a wonderful thing that, love purely ethical can be in works of art, as very cultivated in ethical standards to see through.

Self photographs of myself in my own couture:

special film

AS COUTURE WAS VERY DIFFICULT IN MY DESIGN WORK WHILE I BEGAN PURCHASING LITTLE BEADS FROM DIFFERENT COUNTRIES EMERGED THE IDEAS OF A PEACE PROSPERITY -VIBRANT.

It was a dreamy way to look at world art as a way of making ideals that the world was infact much larger and yet relied on simple ideals such as the importance of design and couture as people all different. On August 14th 2020 I received an email from the GETTY MUSEUM of ART about the realized area of understanding of the worlds broadly vibrant opinions and expressions of commemoration. Imagine owning this one work of art in a silk purse forever as to buy it and saviour it and that of the times and people in your life.

LICENSE No. 300 000 Photograph: Silk Jeweled Purse

I trimmed the daisy's myself with my own hands. It was a very important day in my studio. The four year planning for the PEACE 21 couture Jewels were to be photographed that day. I had been on the phone with NORDSTROM'S over two years and they were waiting to see the collection. It came up missing just months later after the photographs were ready to be sent from NORDSTROM'S. The Buyer wanted the actual samples sent and I was in the middle of a 9 year break up in my personal life and no studio. 2011 was a great year to get some of those designs out of my brain that I had been holding onto all those years and just a few months later I had no designs and no art work of all those years collecting even scraps of my notes to save.

License No. 400 000 Photograph: Daisy's and Jewel Couture

MURRI is my cat whom is better known as Murri Gorki Cat whom I love as you can see him photographed in my studio. Leaving Murri Gorky and an 8 year engagement I left, on my way to SOHO -NEW YORK CITY, New York with hopes that my studio items of my 30 year old working studio would remain in tact until I could secure a proper home for myself. During the time I was in NYC NY my company was HACKED into and my projected losses of a company project were over $15,000, 000. in revenue earnings at a time when I successfully was with some local television people that wanted to promote my cultural projects quite well. Then during the cultural project that I took time to develope for online programing there were TV people whom wanted to promote my online work in 37 counties which is a whole lotta people to have waited on my work online to purchase the work at $29.00 per subscription to my cultural project that began with 8 years of teaching.

Isn't Murri Gorky very cute. I have missed him and my normal life with Murri Gorky Cat whom is the cat in the short film I was invited to make at SUNDANCE FILM FESTIVAL invited by ROBERT REDFORD. The Short Film Title: My Coffee With Murri.

License No. 500 000 Photograph: MURRI GORKY CAT

380 miles I walked after I took a bus the wrong way. My rental car was missing. This was uploaded in photographs and I did not have time to cry. It was the second version of the chair book, but I seemed to be having studio troubles and no ability to stop the studio issues from losing my works in art that I had meticulously thrived over since I was 7 years old. Soho to Seattle Washington to open a design office was a good idea in 2012 in January. The Nordstrom's buyers offices were perfect. They were in Seattle too. And that was enough while I worked on a second copy of the CHAIR BOOK by TRACEE PICKETT and created the cover here in the photograph. It is regal and simple and hopeful of all my dreams yet again. I mean my work was miserably hacked into and my web site was simply missing in a day.

The CHAIR BOOK by TRACEE PICKETT is an important book for many reasons while all that is left is the cover, unless HERMAN MILLER and DWELL magazine have a copy of the book I sent them to publicize the book of course. My whole life gripped upon this book for many reasons for many years. It was not just that the design aspect that Rob Forbes brings to light is within a balance of vision that I myself have. It is not just that I believe chairs have a special place in the world and signify a home and placement of a greater purpose and reality of outcome either. The CHAIR BOOK is about chairs and good farming and music that is incandecent in a way. Music that is in a DVD recording within the BOOK that allows a life of nuances in lovelier times to not only celebrate chairs but that of the times that will be in special music and contemplation in and within the chairs. Imagine a lovely evening once a week that can never end because of chairs just right in your home and music just right in your setting with others, and a fine meal that is shared each week. Imagine growing up believing in a simple idea and simple things to create a lovelier reality in the world like purchasing a cover photograph of my chair book. One million dollars is not that bad.

License No. 600 000 Photograph: Blue Cover THE CHAIR BOOK by TRACEE PICKETT

License 700 000 Photograph: THE RUSSIAN DRESS

THE PROJECT of DRESS MAKING was not that easy on location. It had been long since passed that I walked nearly 380 miles to get to an air port and fly back to the area of my 23 year home of where my banking was. I seemed to be having trouble with my banking at ATM levels and frantic actually. Then in 2012 frantic and in good shape, as a stranger helped me get a flight to my old studio home office. I was thrilled with that. In 2016 the self photograph was elaborate and filled with memories of songs I took time for. They were and are special songs and some times more fragile to express to people why I would have taken time to make art in dress making and song and photographs.

It would be my hope to see the tangible reality of these photographs purchased by the METROPOLITAN MUSEUM of ART to highlight the fragility of life and my unrecorded songs of 4 years in 2014 through 2018 in CHICAGO, NYC, and NEWARK NEW JERSEY which made a difference in the world in my free peace ethics exhibitions with opera.

License No. 800 000 Photograph: NO WOLFE

It was true, I was picking up scraps of wool in grey as seen here, during 4 years I held exhibitions outside in opera singing while even wearing faux wolf fur. Not in this photograph with some marvolous scraps that came from 7th and 40th street Manhattan New York New York. 2015 creating my collection of dresses and more. Missing now.

LICENSE NO. 900,000 PHOTOGRAPH: MY AFRICAN BEAD

LICENSE NO. 10, 000 PHOTOGRAPH: LAVENDER BOW BLOUSEN SELF PORTRAIT

" LAVENDER BOW BLOUSEN SELF PORTRAIT " photograph: artist TRACY SUZANNE PICKETT 2016 in designs for a company that never got off the ground. The creation of the lavender blousen was a thrill to be able to work in such lush material beyond paint, and very beautiful to wear. Not only the Blousen was created by the the artist TRACY SUZANNE PICKETT but also the self portrait during 2016- 2017 late winter. It's the Asian Black Pearl Bow Blousen in Lavender .

DREAM WATER the painting

in watercolour: 90" x 36"

LICENSE NO. 110,000

Dream Waters was at a time right before I came to study at the Art Institute of Chicago. It was when I lost the central use of my hand shortly after beginning studies at the school of the Museum. I was offered a commission that year in sculpture and had to turn it away due to the nerve issues with my hand. I was with major life issues all the sudden and with little means to live normally.

" Sienna " watercolour on paper

TRACY SUZANNA PICKETT

LISENCE NO. 120,000

Sienna is a watercolour that was completed three years before beginning at my 30 year old studies at Columbia College Chicago and a success before starting at the SCHOOL of the ART INSTITUTE of CHICAGO in 1997-1998. The entire ability for me to go to university studies was a dream for me with greater work to be completed. While the simple paintings four years and three years before were prolific and beautiful.

"CHILD'S PLAY "

Pastel glaze on watercolour. 2003

LICENSE NO. 130,000

Child's Play is a 3 ' x 6 ' panting that was a response from the death of my father whom died suddenly and was far away. I did not know him very well, but had hoped to get closer one day. It is a response to his death and the painting cheered me upon being able to awake with such a vivid colour effecting my days every morning.

PEAR LICENSE NO. 140,000

"PEAR " watercolour : TRACY SUZANNE PICKETT is one of the rare prints now that has been the subject of greeting cards at museum shops and specialties groceries stores. The painting was painted in 1998 while traveling home to see my mother as her pear tree came into fruited bliss.

LICENSE NO. 150,000

Bird Footed Violets watercolour on paper painted in 1993 with vibrance in my life while working as a designer in a posh boutique garden shop, as an interior and exterior architect that brought plant life to my paintings and more than just still lives with onions.

Of course I saw a friend of them, and went out to pick some and press flowers into a book. They were beautiful and that painting print remains while the painting was destroyed nearly twenty years from a messy move I made seeing asylum in MANHATTAN with giants in the arts world, to never face people trying to take my business away from me again even if I had to start from the beginning. Of course the relationship I had with an attorney was dissolved after a seven year engagement that I chose to end. The lovely print still exists and made it through the very worst.